Massive Attack used live facial recognition technology on concertgoers, turning surveillance into provocative art that sparked debate about privacy.

Pretty cool… But anyone else get major AI vibes from the way this article is written?

Why even become a journalist anymore if you’re just going to be putting prompts into a black box and copy/pasting the output?

People getting mad at massive attack are missing the point completely

Was this an attack or just some artistic BS? The article is unclear. Mostly because the article wasn’t written by a person.

Massive Attack is the name of the band. The article was not ambiguous about that

Citizen, this is the warm embrace of Father State and Mother Country taking care of you. Everywhere. All the time. We care about you. We worry about you. And if we feel like you need help, we will help.

https://x.com/IpswichPolice/status/1892910824517177743

I do trust Massiva Attack more than this violent gang of thugs

melroy
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15h

Same software was used in the Netherlands on Appelpop.

The only people offended by this are the ones who dont yet understand that this is happening constantly all over the place without your consent already.

Something happening all the time doesn’t mean that it’s good and you should just accept it.

No of course not. But in order to be able to not accept it, you have to know about it in the first place. Thats what this is perfect for. No harm done, lots of eyes opened.

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Avicenna
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2314h

Now consider this to coldplay concert where they urged the crowd to send love to Charlie Kirk’s family lol.

It’s okay, if Coldplay is a honeypot to lure execs onto camera to self-own

To be clear, the system picked out faces in the crowd, in the “yes, this is a face” sense. They were labeled in what appears to be random terms like positive, kind, nostalgic, bee keeper, gif animator, extreme ironer. No personal identification.

So a normal concert?

Yeah this article is hot garbage. What “biometric data” are they talking about??? Just images of people’s faces? My understanding is that it’s super commonplace in public locations, are people really that surprised?

Yes, while its generally common on this platform, we are early adopters for tech so we understand it first. The general public gets exposure much slower, especially when there is efforts to subvert it for profit.

Attention and time are limited, those that focus on tech know things first. Its the same as a chef knowing about food more than the average person.

Oh that’s very interesting. I didn’t get that nuance from the article. Do you have a link to more info?

Yes, it’s the link to the Youtube clip in the embed in the article.

Specifically, this link, which looked like a twitter link to me.

Still, why the fuck does that exist, and why is it allowed? It shouldn’t be there.

Yeah

No shit

That was the point

I think that was there point… to call out the use of facial recognition

Good. A little bit of shock treatment is just what the doctor ordered.

merde alors
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2915h

Social media erupted with bewildered reactions from attendees. Some praised the band for forcing a conversation about surveillance that most people avoid, while others expressed discomfort with the unexpected data capture.

Unlike typical concert technology that enhances your experience, this facial recognition system explicitly confronted attendees with the reality of data capture. The band made visible what usually happens invisibly—your face being recorded, analyzed, and potentially stored by systems you never explicitly agreed to interact with.

The audience split predictably along ideological lines. Privacy advocates called it a boundary violation disguised as art. Others viewed it as necessary shock therapy for our sleepwalking acceptance of facial recognition in everyday spaces. Both reactions prove the intervention achieved its disruptive goal.

Your relationship with facial recognition technology just got more complicated. Every venue, every event, every public space potentially captures your likeness. Massive Attack simply made the invisible visible—and deeply uncomfortable. The question now isn’t whether this was art or privacy violation, but whether you’re ready to confront how normalized surveillance has become in your daily life.

Em Adespoton
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212h

This is why I no longer go out in public.

merde alors
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14h

🤔

nelson
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411h

That was one god awful website. Holy shit. Why would anybody willingly visit that site. Wtf

It’s ok-ish?

nelson
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5h

I got a video that started playing which only had an arrow to expand but no x to close. It kept following while scrolling.

Not sure why my ad blocker didn’t block it.

Edit: after staying on the page for about a minute it just auto showed up

Gadget website showing video playing

☂️-
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128m

nothing on firefox with ublock origin here.

It’s time to switch to IronFox

nelson
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11h

I was on fennec, but I’ll have a look! :)

To review gadgets ofc…

OH!

This disturbs me in the best way. I love/hate it.

I wonder how long they can run this before their backend database vendor cuts them off with some flimsy pretext because this kind of thing is bad for business.

No backend database needed for what they did. It was just highlighting where the faces are in a shot of the crowd, same as modern smsttphone cameras do, but with a surveillance-type UI around it.

Thanks, I just watched the video linked by @spizzat2@lemmy.zip and I see that now. It’s actually a little disappointing and I’d love to see the same kind of public spectacle on hard mode with real-time doxxing from a commercial backend. That would be far more provocative.

I think the article hugely understated that nuance.

Most people don’t know the difference, as made clear by the reactions of the public, comments on other social platforms, and the wording of the articles. So it’s just as powerful as it was.

I will agree that it was still powerful. All of the phone videos would memorialize any real doxxing so it’s maybe just as well that they didn’t do it.

I think it would be better with minor obfuscation like F***e L***e for Firstname Lastname. Something instantly recognizable to the victims/participants but not for the entire audience.

(des)mosthenes
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715h

the 20th anniversary of mezzanine @ radio city with full orchestral band all instrumental was wiiiiild too; kudos!

funny enough my thesis involves orwellian spying, palantir type of shit

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